"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol known as Bastis Master. A masterpiece of Cycladic sculpture, the female figure with sophisticated, near abstract, elegance is the work of an unknown sculptor. Lost for millennia, Cyclades art was rediscovered and admired in the late 19th century by many European artists. The original Greek sculpture from the Cycladic islands dating from around 2600–2400 B.C."
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol Head from the Greek Cycladic Islands, in the southwestern Aegean Sea, rich in marble and obsidian. It was there where inhabitants began producing marble vessels and human figures around 4500-2200 B.C. These figures were predominantly representations of women, and were articulated with color to indicate details such as eyes, hair, headbands, or tattoos. This Cycladic Head original of marble 2700–2500 B.C. depicts an early Spedos type. Such figures are often roundly modeled with broad heads tilting upward; Metropolitan Museum of Art"
"Female Idol known as Bastis Master. A masterpiece of Cycladic sculpture, the female figure with sophisticated, near abstract, elegance is the work of an unknown sculptor. Lost for millennia, Cyclades art was rediscovered and admired in the late 19th century by many European artists. The original Greek sculpture from the Cycladic islands dating from around 2600–2400 B.C."